It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

A quite line in the capital city. A little girl, Veseto, slips out of home unnoticed, attracted by the voices of children playing in the yard. when the kids get tired of playing hide-and-seek, they scatter and Veseto sets out in a long stroll across the city, full of exciting adventures. She talks to a chimney sweep, stops to look at some land surveyors at work, watches an interesting football game at the stadium, enjoys herself at the fair, extemporizes as an actress and has a trying experience on a building site. All the people in the neighborhood start looking for the lost child. In the evening, Veseto reappears. She is back to the arms of her mother, while the people in the neighborhood prove by deeds their human solidarity, their love for children and their resolve to struggle for peace, a must for children's future all over the world.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.