“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

The latest production of Moriah Films is It Is No Dream: The Life of Theodor Herzl, exploring the life and times of Theodor Herzl, father of the modern state of Israel. Narrated by Academy Award winner, Sir Ben Kingsley and starring Academy Award winner Christoph Waltz as the voice of Theodor Herzl, the film examines how Herzl, a well known journalist and playwright, an assimilated, Budapest born Jew, horrified by the Dreyfus trial in Paris and the anti-Semitism he saw spreading across Europe, took upon himself the task of attempting to create a Jewish homeland in Palestine against all odds. Over the span of 8 years, Herzl organized and led a worldwide political movement that within 50 years led to the establishment of the state of Israel. The film follows Herzl as he meets with Kings, Prime Ministers, Ambassadors, a Sultan, a Pope and government ministers from Constantinople to St. Petersburg, from Paris to Berlin, from Vienna to Vilna in his quest to build a Jewish nation.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Sweetheart provides a stark example of self-isolation taken to its extreme.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.