The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

In 1968, Robert Kennedy was assassinated just after winning the California primaries, which made him the front-runner in the presidential race. Had he reached the White House, he would have been able to reopen the investigation into his brother’s death five years earlier, and it is known from numerous testimonies that he intended to do so. Neither John’s nor Robert’s death are elucidated; both investigations, conducted under Lyndon Johnson’s watch, are widely regarded as cover-ups. In each case, the official conclusion is rife with contradictions. This film sums them up. But it does more: it shows that the key to solving both cases resides in the link between them. And it solves them beyond a reasonable doubt.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
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Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.