
Everyone in the Osayande family worries about Isoken. Although she has what appears to be a perfect life - beautiful, successful and surrounded by great family and friends - Isoken is still unmarried at 34 which, in a culture obsessed with marriage, is serious cause for concern. Things come to a head at her youngest sister's wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze. Osaze is handsome, successful and from a good family, making him the perfect Nigerian husband material. But in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner. The only problem is, not only is he not an Edo man, he is Oyinbo (Caucasian). Isoken is a romantic dramedy that explores cultural expectations, racial stereotypes and the bonds that unite families in a touching, dramatic and comedic way.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.