‘Lyle’, Cool Concept, Poor Execution.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.

The Isle of Man TT is described as the world's most dangerous race, a complicated and unforgiving course. Yet every year more and more motorcycle enthusiasts come to this tiny British island to race in the event. Is it some kind of fatal attraction? It is a three-hour ferry ride from Liverpool to Douglas, the capital of the Isle of Man, which is a self-governing British Crown Dependency. Year after year in late May more than 25,000 people make this journey to the small island about 70 kilometers off the English coast in the middle of the Irish Sea. The TT race has claimed almost 150 lives in its 105-year history and the course itself has claimed more than 250 lives. Most of the riders are amateurs with full-time jobs a world away from the megabucks of Grand Prix racing, and for them this is a very expensive business.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.