A documentary film that delves into the life and cinematic career of one of Japan's most prolific directors: Ishiro Honda. The film will spotlight Honda's filmography from both a historical and personal perspective, exploring his contributions to the Japanese film industry and his firsthand experiences of war, from which he barely survived. It will also delve into his profound feelings regarding the atomic bomb, a subject that became an obsession for him and was frequently reflected in his films. The documentary will analyze Honda's body of work through interviews with individuals who had the privilege of collaborating with him, as well as experts on Honda's films from both Japan and the Western world. Furthermore, the film will uncover Honda's friendship and professional relationship with director Akira Kurosawa.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
