'Hawkeye' Episode 3 Review: Echo Steals the Show
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!

The Cutting Edge first aired in 1983 (a precursor to 120 minutes) on MTV providing viewers with a rare opportunity to intimately voyage the sounds, thoughts, work spaces and living quarters of the most interesting artists on the cutting edge of music. Host Peter Zaremba (of the fabulous Fleshtones) added levity with his wit and love of music and musicians. Artists features in this compilation include R.E.M., Squeeze, Red Hot Chili Peppers, Robyn Hitchcock, Tom Waits, The Blasters, Stan Ridgeway, Husker Du, X, The Alarm, The Fleshtones, Hoodoo Gurus, Jonathan Richman, The Smithereens, The DB's, Let's Active; also bonus appearances by Henry Rollins and Willie Dixon.
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.