Tom Donahue, a New York traffic cop, wins a trip to Europe in a newspaper contest, and he decides to visit relatives in Ireland. Arriving in Dublin, he learns that he is an exact double for Lord Fitzhugh, a young Irish aristocrat with whom he becomes friends. The Earl of Killarney, Fitzhugh's uncle, who is on his deathbed, wishes to see his favorite nephew and wipe out past animosities. Fitzhugh, in the meantime, has disappeared, and his sister, Lady Gwendolyn, persuades Tom to take his place.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
