Ad Astra: Cinematic Hypnotism
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.

The 13-year-old Iqbal is a charming, imaginative and fun boy, which, according to his father, is not enough if one is to succeed in the world. But when Iqbal, his little brother Tariq (11 years) and their friend Sille, accidentally blow up their school, his father is the slightest of his problems. The two crooks, Easelman and The Swine, want to get hold of the randomly home brewed explosive and blow up Tivoli to build the biggest parking facility in Scandinavia. To blackmail the kids for the recipe the two crooks kidnap the adorable little brother Dindua (6 years). The hunt to free Dindua and save Tivoli starts - and this requires cooperation, courage and a lot of imaginative ideas, which Iqbal is an expert in delivering.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
The Olivia Wilde renaissance is upon us.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
This is not a story of oppression but a story of liberation.