"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

In a futuristic and industrialized world, a product, called Inzomnia, has been created. This pill helps people regain energy to the point they can live without sleeping anylonger. Inzomnia is compulsorily administered to everyone, but people start losing their memory and turning into some kind of automata, performing mechanical tasks to keep the system unstoppable. Camila, a 10 year old girl, is immune to Inzomnia pills, and therefore the only one able to sleep... and dream. In her dreams she will encounter fantastic creatures and live many adventures that will lead her to find answers about the origins of Inzomnia.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch