Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Invisible Landscapes poster

Invisible Landscapes 

This documentary film, which is based on the field-recording research method, gives space to the physical places where important energy, natural, and political processes take place. The director, musicians Václav Havelka and Pan Throrarensen, philosopher Lukáš Likavčan, and field-recordists Sara Pinheiro and Magnús Bergson all ask the question: “What are sounds that we don’t attach any importance to in our everyday lives trying to tell us and how can they predict the sequence of events that affects our lives?” Here, sound becomes a tool that can oftentimes capture geological time better than an image.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This documentary film, which is based on the field-recording research method, gives space to the physical places where important energy, natural, and political processes take place. The director, musicians Václav Havelka and Pan Throrarensen, philosopher Lukáš Likavčan, and field-recordists Sara Pinheiro and Magnús Bergson all ask the question: “What are sounds that we don’t attach any importance to in our everyday lives trying to tell us and how can they predict the sequence of events that affects our lives?” Here, sound becomes a tool that can oftentimes capture geological time better than an image.

Rating:
Genre:Documentary
Directed By:Ivo Bystřičan
Written By:
In Theaters:
Box Office:

Runtime:47 minutes
Studio:

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso