Geum Ja has been living alone since her husband and sister passed away. Lately, she keeps hearing her late sister's voice around the house. To find out her sister's message, she enlists the help of a television program that investigates supernatural happenings. Once the TV crew is there, however, the ghostly sounds disappear, and conflicts develop between Geum Ja and the crew. Just when the crew is about to pack up and leave, they record a woman's voice.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Two Korean sisters must save their family after a ghost tears the family apart.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
