'The Resort': Five Perfect Minutes and Countless Missed Opportunities
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Invasion
The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.
Rating:
Genre:Science Fiction, Animation
Written By:Stefan Schabenbeck
In Theaters:
Box Office:
Runtime:8 minutes
Studio:Studio Miniatur Filmowych
Cast
Articles You May Like
Outer Banks Ignores Its Racial Context
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
'Love, Victor' Season 2: What Happens After Coming Out?
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
‘Pariah’: An Important and Untold Story of Identity
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
"A Man Returned" - The Other Side of the Refugee Crisis
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.