
A young woman, struggling with severe sleep deprivation, begins to notice subtle but unsettling changes in her daily life. As these small intrusions escalate, she becomes increasingly paranoid, questioning her own sanity and the reality she once knew.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Not a lot of people realize that being introverted is not always a permanent state of mind. Being considered an introvert by others is a complicated thing; not everyone likes being labelled “shy.”
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction