Into the Unknown is based on found footage of former DDR-documentary films, which spotlight contexts of the daily life of East Berliners. The footage generates a clash between what is seen and heard, mimicking the chasm between propaganda and reality—and the deceiving power of images.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
