“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.