‘Water Lilies’ and the Journey of Identity
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.

Much of the suffering wrought by COVID-19 has played out where we cannot see: in closed hospital units. With unprecedented access, award-winning filmmaker Sasha Joelle Achilli goes inside a hospital during the coronavirus crisis in northern Italy, capturing an unforgettable look at the harrowing, heroic fight doctors and nurses are waging against the disease. “We have few weapons. The virus has them all,” says Dr. Francesca Mangiatordi, a senior ER doctor at Cremona Hospital. “But with the few we have, we are trying to resist and fight back.” Achilli’s camera follows Mangiatordi, her staff and the patients they’re treating, creating an intimate and profound portrait of those at the front lines of a global pandemic.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Effortlessly beautiful and surprisingly tragic.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.