Predator's Seventh Entry, 'Prey', Is A Breath Of Fresh Air
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.

Frank, a retired hitman, has chosen to disappear and start his life anew as a private taxi driver. He befriends Lucy a young woman working at a shady downtown casino. After losing custody of her child Angela, Lucy is back on a downward spiral of drugs and high-class prostitution. One night she witnesses the murder of one of her clients, a prominent Millionaire in the city. Lucy manages to escape but the killer is out for her blood. She has no one to turn to except Frank her only friend. Frank has only killed for money but now he must kill to protect the only person who never had anybody to stand up for her.
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.