The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

A search and rescue team are transported through deep space to a distant mining colony to save the sole survivor of a biological outbreak. During their mission, they find a lethal weapon which is set to arrive on Earth within the hour.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
The Rocky Horror Picture Show not only supported Tim curry queer individuals who were closeted or harassed. It made people question their identity, orientation, and lifestyles that they never had before.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.