We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Warsaw, September 19, 1940: a Polish officer is captured during a raid by the German army. In reality, the SS have just fallen into a trap. This man has organized everything to be arrested. His name: Witold Pilecki. His mission: to be interned in Auschwitz, to infiltrate the death camp. This film traces the story of one of the greatest resistance fighters of WWII, through the compilation of reports that the infiltrator smuggled to London from the concentration camp where he was detained.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.