The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

Leslie Iwerks' documentary takes audiences behind the scenes at ILM with in depth interviews with some of the company's top talent and showcases never before seen footage highlighting many of their pioneering milestones. From creating the first ever computer generated character in a feature film to the latest advancements in visual effects for film franchises like Transformers and Iron Man, ILM has created some of the most memorable movie moments in recent history.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
A family comedy that combines fantasy and normal school life.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.