It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

Andrew is a tough businessman and an arrogant workaholic. He runs a large, successful company in Prague. The meaning of his life is money. Ondřej has just negotiated the deal of a lifetime in Nebraska with a wealthy investor who will finance the construction of luxury residences on the outskirts of Prague. On his way back from America, the plane flies over a reservation where an Indian chief is being buried. The spirit of the Indian rising to the sky crashes into the plane and inadvertently becomes incarnate in Ondrej. And this spirit has decidedly different ideas about Andrew's life and values.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
What happens to an inseparable bond when love for competing morphs into competing for love?
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.