"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Andrew is a tough businessman and an arrogant workaholic. He runs a large, successful company in Prague. The meaning of his life is money. Ondřej has just negotiated the deal of a lifetime in Nebraska with a wealthy investor who will finance the construction of luxury residences on the outskirts of Prague. On his way back from America, the plane flies over a reservation where an Indian chief is being buried. The spirit of the Indian rising to the sky crashes into the plane and inadvertently becomes incarnate in Ondrej. And this spirit has decidedly different ideas about Andrew's life and values.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.