The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Amidst financial pressures and the uncertainties of WWI, Pastor Frederick Lehman begins to write a song about the love of God. When he gets stuck on the third verse, ten-year-old Blynn comes to the rescue by calling a sibling council and laying out a strategy to help Papa write the song. Along the way they waste a lot of paper, explore an old asylum, meet a real Jewish Rabbi, and learn about events that took place more than eight centuries earlier. Faced with failure and grief, Blynn is left grappling with a desire to love God. Can Papa help Blynn discover the truth about God’s love? Featuring the vocals of Guy Penrod.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents