Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Somewhere in northern Quebec, a small Aboriginal community is shaken by the suspicious death of three teenagers. The police investigation, which looks delicate, is entrusted to the agent Hudon of the Sûreté du Québec, posted recently on the reserve. He quickly finds himself disoriented in the face of these inexplicable deaths, a culture with which he struggles to cope ... and a Montreal journalist looking for a scoop.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.