'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Synopsis “I have no regrets,” says Vivianne Gauthier, sitting on her bed in the room where she has slept for over eighty years. A singular woman—strong, disciplined, and energetic—this choreographer and dance teacher lived life on her own terms, leaving her mark on the cultural history of her country, Haiti. This film offers a glimpse into her life through a visit to her home, a “Gingerbread House” where every corner is filled with memories. Here is the portrait of an endearing woman, revealing a side of Haiti that is too often overlooked.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
A baking competition that delivers cookies ‘n screams.
What makes a person different, and who is considered normal? Based on a true story, The Unbreakable Boy follows the life of Austin LeRette, a young boy with autism and osteogenesis imperfecta, as he navigates daily life with optimism and resilience.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.