
Ted, an unlikable office manager, is one day kidnapped by Jeremy, a bereaved recluse, and forced to play-act his dead brother David. Slowly gaining Jeremy's confidence, Ted discovers his captor's true intentions and makes a plan to escape.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
The new Scooby Doo movie that will give viewers the frightening adventure of their lives.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.