In the Fire of War (2025)

This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.

Curb Your Enthusiasm, the improvised Seinfeld, is simply one of the funniest, most brilliant shows on television right now. Following Seinfeld co-creator Larry David and all of his mischievous antics, the series celebrated its 100th episode on Sunday with its Season 10 finale.

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.