'Overcast' - MiamisFF Review
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

Scotland, 1928. A remote coastal peninsula. A boy watches his parents as they decide whether to send their loyal working horse to the knacker's yard; he now costs much more to keep than he earns for a family who tread the tightrope between survival and ruin.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Women have always been integral to science fiction, and these amazing women prove why.