In The Dark 

I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.

Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.

The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.