Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
In the Borderland poster

In the Borderland 

The Russian attack on Ukraine in 2022 turned the European worldview upside down. In Parikkala, a small town in Eastern Finland near the Russian border, this soon becomes very real as the iron curtain lowers again on the Finno-Russian border. The locals are faced both with a future that is unknown and the heavy historical baggage of the borderland.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The Russian attack on Ukraine in 2022 turned the European worldview upside down. In Parikkala, a small town in Eastern Finland near the Russian border, this soon becomes very real as the iron curtain lowers again on the Finno-Russian border. The locals are faced both with a future that is unknown and the heavy historical baggage of the borderland.

Rating:
Genre:Documentary
Directed By:Elina Hyvärinen
Written By:
In Theaters:
Box Office:

Runtime:73 minutes
Studio:Koko Production

Articles You May Like


Stop Whatever You’re Doing and Go Watch 'Two Distant Strangers'

Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment,  he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.

Andrea Amoroso

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood