Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

The happiness and well-being of the wealthy beauty Anna collapses when her businessman husband, without explanation, leaves her and files for divorce. Shortly before the divorce, Anna began to actively engage in her own charity project. At first, the husband was supposed to help with financing, but now he has disappeared and does not get in touch. Anna hopes that this is not a break, but a temporary crisis, and also temporarily settles the first participants in her mansion. This is how Bentley and Prada settle in the region: a simple village girl, an instadiva, a former convict and a young vegan eco-feminist. Anna and her wards girls will have to jointly look for ways not only to survive, but also to find funding for their project. After all, they strive not only to improve their lives, but also to provide such an opportunity to other "problem" women.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
This movie will always resonate with queer people, for as long as queer people exist.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."