Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Pretty Polly Marsden is ardently pursued by three different Romeos, but she coyly refuses to choose between them. When they insist that she give them her answer, she arranges an impromptu automobile race: whichever one of the three can overtake her speeding roadster will be the man whom she will marry.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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