Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

It's summer in the Portuguese countryside, where the local festivities take place. Chico is haunted by a hate crime committed in his village against a boy who was secretly close to him. Throughout this journey, Chico, pressured by his friends, tries both to follow their social standards and to hide his fears and desires.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
"There is something going on between us that I cannot unravel."
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
A science fiction movie brings a strong diverse cast and adventure in outer space.