Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

In Between Home poster

In Between Home 

Bam, a 21-year-old recent graduate, is about to begin her working life in Bangkok. After avoiding questions about returning home for a long time, she decides to return to her hometown in Isan to visit her grandmother. Her return makes Bam realize that her grandmother has grown old and is no longer as strong as she remembers. At the same time, she meets Nuan, a young woman from the village who has been helping to care for her grandmother. A feeling of being replaced slowly begins to take hold. Bam is forced to confront the question she has avoided for so long: should she stay and care for the person she loves, or leave to begin a life of her own?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Bam, a 21-year-old recent graduate, is about to begin her working life in Bangkok. After avoiding questions about returning home for a long time, she decides to return to her hometown in Isan to visit her grandmother. Her return makes Bam realize that her grandmother has grown old and is no longer as strong as she remembers. At the same time, she meets Nuan, a young woman from the village who has been helping to care for her grandmother. A feeling of being replaced slowly begins to take hold. Bam is forced to confront the question she has avoided for so long: should she stay and care for the person she loves, or leave to begin a life of her own?

Rating:
Genre:Drama, Family
Directed By:Kantika Rawangpai
Written By:Kantika Rawangpai
In Theaters:
Box Office:

Runtime:25 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger