Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Youngloves have a cozy little apartment and a jewel of a cook, Bridget, and are happy until the landlord raises the rent. A slick agent convinces them to take a lease on "the modern Paradise” in Arcadia. A long, frightful journey takes them to "Eros Villa” a tumbledown old shack with a scrubby hedge running around it. After a veritable nightmare of a night trying to sleep on hastily-made-up hard beds and being scared nearly to death by huge rats scampering through the rooms the Youngloves rush to the agent's office, where he agrees to tear up the lease for two months' rent! The Youngloves, return to their old flat, sadder and wiser, but happy.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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