Could ‘Wakanda Forever’ Be Nominated For Best Picture?
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.

In a Pill Bottle tells the story of Oliver, a young man who is dealing with depression after the loss of his little brother. When his Partner, Mia leaves in a desperate attempt for him to get help, Oliver goes into a downward spiral that may be the end of his relationship and ultimately himself.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'