"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

At dawn, a cannon shot shatters the plain. Horses gallop across the beaten earth. Eva, 21 years old, wants to join the hunters of the Imperial Guard, a Napoleonic regiment of historical re-enactment reserved for men. In her quest for romanticism, she hides her identity so that she can set foot in the stirrup, braving a 200-year-old ban. In this world of gunpowder and smoke, Eva discovers herself as she has always dreamed: a handsome soldier at the side of a beautiful princess.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Canvas illustrates the story of a grandfather who, after suffering the loss of his beloved, struggles to reclaim his love for painting.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.