'American Fiction' Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.

Young twins, Imelda and Luis, live a neglected life with their drug dealing mom and jerk-off drug addict older brother. They only have each other to fulfill their desires: she wants to be a nun and he wants to be a girl, neither of which seems possible.
American Fiction is a genuinely entertaining film with a few lessons.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.