
Eighteen-year-old Joe is caught in an emotional storm of identity, sexuality, and expectation. This crisis rips the heart out of a world that once seemed simply, now torn between the pressures imposed by a traditional working-class family and labels imposed by friendships groups and individuals. Joe embarks on a journey of discovery and introspection that threatens to destroy a family, a community, and ultimately a life.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?