For the first time ever, ALL 10 MINI-MOVIES starring your favorite characters, the Minions, are in one collection! If there's a Minion featured in one of our mini-movies – no matter how big or small – they're in here! Experience the hilarious hijinks when the Minions babysit their caveman boss's troublemaking toddler in Cro-Minion, tune up Agnes's bicycle with high-tech upgrades in Training Wheels, and bring home a new "dog" in Puppy. This set includes seven more uproarious mini movies the whole family will love! The 10 Minion Mini-Movies collection contains: Training Wheels, Cro-Minion, Competition, The Secret Life Of Kyle, Mower Minions, Home Makeover, Orientation Day, Banana, Puppy, and Panic In The Mailroom.
Didier Ah-Koon, Kyle Balda, Brian Lynch, Eric Favela, Fabrice Joubert, Samuel Tourneux, Mark O'Hare, Bruno Dequier, Julien Soret, Glenn McCoy, Régis Schuller, Bruno Chauffard, Yarrow Cheney
Director
Steve Carell
Gru (voice)
Miranda Cosgrove
Margo (voice)
Dana Gaier Ellis
Edith (voice)
Elsie Fisher
Agnes (voice)
Pierre Coffin
Minions (Voices) Tim, Bob, Mark, Phil, & Stuart
Chris Renaud
Dave the Minion (voice)
Jemaine Clement
Jerry the Minion (voice)
Russell Brand
Dr. Nefario (voice)
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.