
Set in the late 1980s, this critically acclaimed indie classic from 1992 portrays a gritty side of gay life in Los Angeles. Ethan (Paul Marius), a 27-year-old photographer, believes he has no need for love or commitments, and is living his life amidst one-night stands. Ethan is coaxed by his "best buddy" Dennis (Jason Adams) into attending a reunion of college friends and lovers at a Palm Springs hideaway. What is supposed to be a restful vacation turns into a round of hard drinking and cruel sexual games. By the end of the "vacation," Ethan feels a need for new friends and returns to Los Angeles. Confronting his troubled family life, he calls his father - who doesn't want anything to do with him. In the end, Ethan realizes that he can make his own "family" with friends who will accept each other without judgments.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
'Brother' is a gripping family drama with dazzling performances all around.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.