
The Turin area is devastated by floods: the Pô River has overflown and toxic waste from a local dump is now being carried by the stream. Which is why Augusto Vigano, the co-owner of a pub and a dedicated environmentalist, blocks, in the company of a group of friends, the train on which minister Antonelli is traveling. The politician, agrees to listen to the protesters'complaints and , filmed by television cameras, follows Vigano all the way to the dump. It is on this occasion that Vigano is noticed by a politician who sees at once the interest he can derive in having him elected. Augusto, who thinks that being elected to parliament is the best way to protect the environment more effectively, accepts his offer, without realizing that the cynical politician intends to manipulate him.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
La Bola Negra is an achievement worth praising and worth seeing.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.