'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

11-year-old Christian lives with his Italian mother Gioia in poverty on the island of Ischia. His German father died in a rescue mission before Christian was born. The kind boy had an unremarkable and calm life until, one day, his grandfather Carl Schneibel finds him. Schneibel is a wealthy businessman who had never seen Christian before. Since the old lonely man has no heir, he decides to take Christian in and offer him a good education. Schneibel has never been on good terms with his son and never liked his son’s choice of wife, so he decides that Gioia must not come along. Despite, Gioia does not wish to obstruct her son’s future and allows him to go. Thanks to his good nature and his kind ways, Christian wins the heart of his grandfather and changes his life for the better.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.