In the heart of Rome, face to Saint Peter’s, stands a Palace. The owner, like a renaissance patron, has once been offering shelter to a bizarre group of friends, embracing their joyfully ambitious causes. The perfect hideout from where to pursue the most aleatory artistic projects, far from the hassles of life. Now in their 50s’, they are suddenly reunited by the premature death of their charismatic leader, Mauro. He left something tangible to the group of friends: hours of footage where he directed them in the most diverse roles, a supposed masterpiece that was never finished, and now a a mirror reflecting images from the past. The mourning, in the shudder of a moment, shakes the numbed spirits, leading them into a radical confrontation with their future.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
