Diversity Programming At The Austin Film Festival
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.

Adrien Sixte is a reclusive intellectual known for his theories on psychological materialism. Sixte’s orderly, self-enclosed world is violently interrupted when a desperate mother petitions his help and a judge summons him to a criminal trial. The young defendant, Robert Greslou—a student and self-styled disciple of Sixte—has sent his master a confidential memoir written in jail. Greslou’s psychological self analysis traces the nexus of causes that propelled him to his current predicament. The memoir culminates with his experience as a tutor for an aristocratic family: when he experiments with the affection he inspires in a young girl, the disciple’s actions eventually leading to her death.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Eddington attempts to capture how media is intertwined with the uncomfortable present.