'The Dinner Party' — MiamisFF Review
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.

Ikebana, the Japanese art of flower arrangement, is explored in a delicate and ethereal manner, layering space, time, and the elements of life. This ancestral art is observed from a distance, so as to never interrupt the movements of its practitioners. Rita Ferrando’s Ikebana is a hypnotic work with somewhat esoteric narration that highlights each step in the process with animations emphasizing the meticulous and meditative deeper meaning behind the art. This hybrid structure raises questions about the art of representation, inevitably present in cinema. How can we grasp the essence of what we want to show on film? Ikebana suggests that what we seek may be hidden well beyond the visible realm.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This Halloween movie is based on the toy line of the same name.