Ilir Luma, a martial arts master specialized in the Pelasgian art of "Mundije", escaped the communist regime, when he was only 14 years old. He'd witnessed the hanging of a poet in the city of Kukes, Albania. In Germany, at a Taekwondo school, he meets Ana, who became his student and his girlfriend. Ilir promised to be there for her, whenever she needs him. Thirty years later, Ana is kidnapped and sent to Mexico.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
