The deeply socially engaged documentary filmmaker Frans Buyens had long dreamed of making the transition to fiction filmmaking. The experimental Ieder van Ons was a first attempt in that direction. In essence, it was an inquiry film shot in a cinéma vérité style about appearance and reality in social commitment. With Ieder van Ons, Buyens wanted to jolt the viewer’s conscience and make them aware of the duty to face the truth and to act accordingly. To achieve this, he combined a fictional plot with documentary scenes. On the one hand, the film contains acted sequences about the awakening conscience of a ruthless political figure; on the other hand, Buyens himself appears before the camera to introduce several actors, their characters, and the situations in which they are about to become involved.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
