Revisiting Lady Bird - Now on Netflix
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.

The story is a variation on the Tom Hanks classic "Big," but instead of a boy finding himself in a man's body, a sick girl falls asleep one day and does not wake up again for 11 years. In the meantime, her baby sister, Natsumi (Rio Kanno), grows up to become a very studious and serious 12-year-old, studying hard at her summer juku (cram school). When her aunt, a free-spirited photographer (Karie Kahimi), goes missing in South America, her mildly scatter-brained mother (Kaho Minami) and father (Tetsuji Tanaka) go looking for her, leaving the girl, Natsumi, to look after her sleeping sibling, Ai (Rosa Kato). Yes, this is a clear case of child neglect, but Natsumi is such a no-nonsense, responsible type that it seems almost understandable. Soon after Mom and Dad leave, she notices that Ai, incredibly, is up and about, with the body of a woman, but the mind of an 8-year-old.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.