Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Ich liebe meine Familie, ehrlich poster

Ich liebe meine Familie, ehrlich 

The journalist Julia Schiller has kicked out her faithless husband Wolf, but her teenage daughters Anna and Lena and the cheeky twins Anton and Philipp keep her busy. When her sprightly aunt Isolde starts working as a hobby detective on the trail of a poisoner in her retirement home, the children sense an adventure and help her. But then Isolde suddenly disappeared too. Julia is very worried and asks Wolf for help again.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The journalist Julia Schiller has kicked out her faithless husband Wolf, but her teenage daughters Anna and Lena and the cheeky twins Anton and Philipp keep her busy. When her sprightly aunt Isolde starts working as a hobby detective on the trail of a poisoner in her retirement home, the children sense an adventure and help her. But then Isolde suddenly disappeared too. Julia is very worried and asks Wolf for help again.

Rating:
Genre:Comedy, TV Movie
Directed By:Stefan Lukschy
Written By:
In Theaters:
Box Office:

Runtime:90 minutes
Studio:ARD, Ziegler Film

Articles You May Like


"Jurassic World: Rebirth" (2025) Film Review-Stunning visuals deliver Summer spectacle, but.....

As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger